Variation In Atmospheres: Retouch Comparison
Lighting set up from Scott Kelby’s ’10 Essential Studio Techniques Every Photographer Needs to Know’
from Kelby Training.
5 Light Set Up:
AB800 with 7″ reflector & 20° grid on each side and several feet behind, pointed at subject
AB800 with 7″ reflector and 30° grid pointed at Thunder Gray seamless background
AB800 in 22″ white beauty dish (no sock) on camera axis and 3′ above subject
AB800 in 10″ x 36″ strip box (turned horizontal) on camera axis and below subject for fill
Triggered with Paul C. Bluff Cybersyncs
Post Processing Info: (Not in order)
Initial adjustments in Adobe Camera Raw
Replaced right eyeball with left eyeball
Duplicated left highlight on face & pasted it onto right side
Changed color of jacket with Hue/Sat & Selective Color Adj. layers
Natalia Taffarel technique for retouching skin/removing blemishes on face only
Additional removal of blemishes on empty layer with Healing Brush
Reduced the red & yellow saturation of skin with Hue/Sat Adj. layer
Subtle Calvinizing (search ‘Calvinize’ by Calvin Hollywood)
Nik Plugin ‘Tonal Contrast’ from Color Efex 3.0 for highlights, midtones & shadows
Adjusted color of background with Selective Color Adj. layer
Cloud brush from DeviantArt for background
Additional color correction of skin with Selective Color Adj. layer
Added a vignette
Lightened eyes with duplicate layer in Screen mode then masked
Cloned out original catch lights & added my own from a brush I made
OnOne PhotoTools plugins (assorted) to add crispness
Topaz Clean Plugin on hair, beard eyebrows & eyelashes
Used Mystical Lighting &Ambiance plugin from Auto FX for the atmospheres in the Rain, Fog, Snow & Wind versions
Processing time: 11 hours ~ I’m slow
Photos by Regina Pagles





My husband Fred & I own Zion Cycles, a bicycle shop in Springdale, Utah - just outside of Zion National Park.
I live, eat, breath, sleep & dream about Photoshop. Sick...I know. 
















